GEAR
The instruments and tools used here are chosen for resonance, balance, and response.
Not everything is explained — some things are meant to be heard rather than described.
Baritone Guitar — Jacek Śliwa
MODEL: BARITONE, nr 1B
A baritone guitar built for depth and clarity.
Used as a primary instrument for solo and improvised music, where extended range and low-frequency response are essential.
Baritone Guitar — Sergiusz Stańczuk
Custom model: Piotr Krępeć
A baritone guitar built by Sergiusz Stańczuk.
Designed for nuance, dynamics, and a wide harmonic spectrum. Used as a primary instrument in recent recordings and live performances.
Acoustic Guitar — Cole Clark FL2 AC
A standard-scale acoustic guitar used when a more traditional register and articulation are required.
Clear, direct, and responsive.
Tube Amplifier — Eugeniusz Czyżewski
A custom-made tube amplifier built by Eugeniusz Czyżewski.
Produced in a very limited series, these amplifiers are considered rare pieces among Polish builders.
Warm, organic, and highly dynamic, the amplifier responds naturally to touch and phrasing.
There is no model name — only the name of the builder.
Headway EDB-2 VAP
A compact acoustic amplifier occasionally used for specific live settings. Neutral, practical, and reliable.
WHAT IS NOT HERE
There is no fixed pedalboard and no permanent signal chain.
The sound is shaped primarily at the instrument and in the hands.
A FEW MORE LITTLE THINGS
Details matter.
Touch, attack, and physical contact with the instrument play a decisive role in shaping the sound.
These elements change over time and are treated as part of an ongoing process rather than a fixed method.